She draws and paints practically from the first years of her life (at 4 she was already putting images with a lot of aesthetic sense on paper / Condition and innate talent). However, it can be established that she is an artist with a certain professionalism since she was 7 years old; she when she was already showing off small works in the figurative branch (like almost every child), but then she developed a strong inclination towards expressionism and later ventured into abstract expressionism; Although she did not abandon the figurative and even in 'realism' she did a good job. For her young age, she evidenced a striking balance and harmony in the composition, and in fact, she was outlining her own style. Throughout her long career she has been a consistent and respectful artist of her work. , of remarkable continuity. She was forging a pictorial identity based on physical perceptions and expansion of consciousness through multiform, agile and experimental chromatic action on canvas and other materials. Within graphic design she specializes in the field of illustration. She in permanent exploration of identity in Postmodern Art, Abstract Expressionism, Cubism, Psychedelic art, Surrealism, Textures, Generative Design. She currently fuses drawing and painting with virtual reality and technology. In parallel, she was germinating a new style of plastic language. In it, the leading role is exercised by digital art, and its derivatives. The shape and color do not suggest characters or objects but are merely aspects of a strong link with Informalist painting. The development of this style took years; and instead of limiting her work to a particular area, she prefers to expand her field of expertise in all directions in which she can extend her imagination, free from the shackles of unalterable architecture, to immerse ourselves in an environment of bold and perfectly coordinated mixes. Her work is full of lines of communication with the former, the current, the future ... and beyond. In a kind of irreverence in the face of the fixed, the archetypal structures, an impulse to highlight the infinite transformation, the natural becoming. For this artist, each present state contains traits and experiences of the previous, which happened as a recurring endless. The artist - with a neat and obsessive spelling - usually navigates spaces loaded with hermetic symbols and ideograms, with introspective enigmas almost inaccessible. His creations have multiple interpretations and when the viewer becomes accustomed to his proposal, he is no longer interested in 'understanding' or understanding anything with precision ... He surrenders to enchantment, to that pulsating game of spell. alchemy, kabbalah, gnosis or scientific astrology, induce 'Goldengenes' to link with philosophy, metaphysics, cosmogony and especially algorithm and trigonometry ... reflecting the absence of the division between physical space and spiritual space She cyclically takes up techniques after several years; she suggests innovation through her creations, the attempt to reuse an idea and in this way resignify the value of her previous work; so that her production gradually flows spongy towards a new body of works, in a constant reinvention of pictorial language.

She tells us: "I could write a lot about art, but it would only be my feelings. Art is to look at and feel it, I prefer that your senses reveal the pleasure, or not, of each work, since we all have different perceptions, for ventura. Visual arts have the potential to be an investment as well as an asset. Collecting art is a matter of conquering both the heart and the brain. Art is something you must be willing to hang on your wall and see with yourself. pleasure the rest of your life. " "At the beginning I try to put a sensation in the image and from there capture the theme that will define it, challenging the viewer's sagacity. He will reconstruct his imagination by assuming the role of naive or insightful reader".